0 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
                                                     
Pack Of Lies
Painting Churches
The Pajama Game
Pal Joey
Panama
Paper Doll
Parade
Parallel Lives: The Kathy and Mo Show
Park Your Car In Harvard Yard
The Passion Of Dracula
Patsy Cline, A Portrait in Song
The Pavilion
Pavlovian Dog Show
Pavlovian Dog Show
Peacemaker
The Pearl
The Pearl By Barbara Pease Weber
Perchance To Dream
A Perfect Ganesh
Pericles
Personals
Peter and the Wolf
Peter Pan
Peter Rabbit
Peter And The Starcatcher
Peter Pan
Phantom
The Philadelphia Story
Philemon
Piaf in Vienna
The Piano Lesson
Picasso at the Lapin Agile
Picnic
A Piece Of My Heart
The Pied Piper
Pigeons on the Walk
The Pigman
The Pillowman
Pinocchio
Pippin
Pirates of Penzance
Pirates of Penzance, JR. (The)
the Pitchfork Disney
Pizza Man
Place Setting
Plan Day
Play It Again, Sam
Play On!
Play On
The Playboy of the Western World
A Playhouse Christmas
A Playhouse Christmas- 2004
Playin' Doctor
The Play's the Thing
The Play’s The Thing
Plaza Suite
Plunge
Pocahontas
Poe, Deep Into That Darkness Peering
The Poetry Of Pizza
Poetry Recital
Polish Joke
Popcorn
Popcorn Sonata
Portia Coughlan
Postmortem
Posturing
Pot Luck
Poultry In Motion
Prelude to a Kiss
Prescription: Murder
Present Laughter
The Presidents
The Price
Pride & Prejudice
Pride's Crossing
The Prime of Miss Jean Brodie
The Prince And The Pauper, The Musical
The Princess and the Goblin
The Princess And The Pea
The Prisoner of Second Avenue
Private Eyes
Private Lives
The Producers!
The Producers
The Producers' Fatal Hit
Professor Tim
Promises, Promises
Proof
Proof
The Property Known As Garland
Proposals
Psycho Beach Party
Psychopathia Sexualis
Pterodactyls
Public Ghosts-Private Stories
Pump Boys and Dinettes
Puppe’n’Dance
The Purg
Puss In Boots
Pygmalion
“Pal Joey”
Music by Richard Rodgers
Lyrics by Lorenz Hart
Book by John O'Hara
The penultimate Rodgers & Hart collaboration introduced the first anti-hero to propel a musical. Joey is an opportunistic cad, but he always seems to land on his feet. He elbows his way into a job at a seedy Chicago nightclub and is soon juggling the affections of a naive chorus girl and a wealthy society dame who just happens to be married. Once Joey has charmed the socialite into setting him up in his own joint, he ditches the chorine and is riding high, playing the big-time operator. When a punk threatens to spill the whole business to the socialite's husband, she decides that she's bored with Joey anyway, dumping him and the club. Having had a taste of his own medicine, you'd think Joey would head back to the sweet kid who really loves him. Wrong. Some things never change, but you know what? He's still on his feet.

Preformance Rights

Note: These recording are not of the productions list here, but of Broadway or Hollywood versions.